The Padayani dance astonishes the audience with its splendid theatrical values. The ritual of Padayani begins with the Choottuvaipu or lighting of the fire which is followed by a dance performance in the precincts of the temple. The performers wear colourful masks and spectacular headgears called Kolams (effigies) which represent various Gods and Goddesses. The major accompaniment is Thappu, a one-sided drum. The performer attains a frenzied trance during the dance. There are different varieties of Kolams to represent each distinct figure like Yakshi, Pakshi, Kaalan, Kuthira, Maadan, Marutha, Pisach, Ganapathi, Bhairavi, and Kaanjiramaala. The materials for the make-up for these kolams are obtained from nature like for example the spathe of areca palm, tender coconut leaves, terra-cotta powder, charcoal, and turmeric powder.

The language used in the performance is very evocative.

The essential parts of Padayani are Kolamezhuthu, Kolamthullal, Kolappattu, Thappu Melam and Vinodam. Kolappattu is the song which accompanies the performance which includes prayers, admirations, and requests to the deities. Thappu is an 'Asuravadya' made by covering around the frame of Jacktree hardwood with buffalo hide. In kolamthullal, the performer makes rhythmic footsteps in tune with the kolappattu and the thappu melam. Vinodam includes satire and protests targeting social evils and vanities.